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Performance

The Time Being

Do you look forward to or rather dread the future when you see how the digital development is thundering by? Do you rejoice or shudder when you think about what science has enabled us to do? Are you worried that artificial intelligence might overtake us?

Egnsteatret’s performance THE TIME BEING focuses on the great ethical and existential choices that humanity faces today; choices related to the new opportunities that digital and scientific development makes available to us. Brain implants that are right now being developed will equip us with new skills. Nano robots swimming in our veins will detect diseases in time and eventually help medical science to eradicate them totally. Meanwhile, artificial intelligence puts the human being in a new perspective. If our bodies can be repaired indefinitely and upgraded exactly as we wish, what will we expect of each other as humans? How will our relationships and work-life balance change when life expectancy is doubled?

Surrounded by a subdued light and gentle music, you are led through a sensuous universe of future visions. Together with the performers and the other participants, you move through game-like situations that pose questions and generate choices. What sparks your curiosity? Where does your limit go? When the mind opens to the idea that everything can change and all familiar reference points can be moved nhow will that effect the choices you make every day? These are questions only you can answer yourself.

THE TIME BEING is a human specific performance inspired by Yuval Noah Harari’s New York Times bestseller: “Homo Deus — A Brief History of Tomorrow”.

The performance is supported by The Municipality of Vordingborg and Copenhagen Performing Arts Committee (Københavns Scenekunstudvalg)

Audience number
Maximum 30
Duration
90 minutes
  • Reviews
    There's not enough room in this review to tell about everything I have at heart. But in short, it was really an experience I let myself be seduced by. (...) It is incredibly unique and beautiful. I don't think a single participant went unaffected from here.
    Sóley Freyja Eiríksdóttir, The fourth wall
    On the whole, there is a fine, sensuous tightness about the performance. A kind of Japanese minimalism with soft, white carpets in the dark room and a hush atmosphere of muted or wordless interactions.
    Monna Dithmer, Politiken
  • Audience feedback
  • Credits
    2020 Performeres:
    Elena Copelli, Marc Facchini, Siri Facchini Haff, Marta Proietti Orzella, Karolina Pietrzykowska, Sara Vilardo
    Director
    Nullo Facchini
    Idea and concept
    Egnsteatret
    Scenographer
    Tilde Knudsen
    Music
    Marc Facchini
    2019 Performeres
    Kaja Mærke Egeberg, Siri Facchini Haff, Tilde Knudsen, Minni Katina Mertens, Karolina Pietrzykowska
    Director
    Nullo Facchini
    Playwright, writer
    Ensemblet
    Musician and performer
    Marc Facchini
    Scenograph
    Tilde Knudsen
    Technician
    Per Aagaard
    Production
    Egnsteatret
    2018 Performeres:
    Karolina Pietrzykowska, Marc Facchini, Maria Stoyanova, Minni Katina Mertens, Nullo Facchini, Siri Facchini Haff
    Director
    Nullo Facchini
    Playwright, writer
    Ensemblet
    Composer
    Marc Facchini
    Musical organizer
    Marc Facchini
    Scenograph
    Tilde Knudsen
    Scenograph assistent
    Ea Marie Qvortrup
    Technician/executer
    Per Aagaard
    Technician
    Allan Hansen og Joshua Lindemann
    Production leader
    Delia Trice
    Photos
    Per Rasmussen
    Video
    Tine Kortermand
    Graphic design
    Lone Fomsgaard
    PR & marketing
    Helle Bøgelund
    Administration
    Helle Iuel
    Producer
    Maria Westh Hage
    Production
    Egnsteatret
    Organizer
    Egnsteatret og Teaterøen
  • Supporters
    • Vordingborg municipality
    • Copenhagen Performing Arts Committee

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